![]() It is a terrifying concept to many, but he is able to laugh about it, no longer willing to mourn over what he cannot change. It leads to some thought-provoking revelations, such as his adjustment to try live in the “now” without committing anything to memory, as without a future he has no need to. He faces his diagnosis with total acceptance and yet remarks on his immediate elation at the vividness of life upon receiving it. His humility is incredibly endearing, and it leaves one with a real respect and fondness for him. Johnson, as it turns out, is also able to read Old Icelandic and is an amateur astronomer, as well as being an actor ( Game of Thrones) and a talented musician. All of these factors mean that Temple’s film feels extremely current, and is not, as would be the danger, just the reminiscent ramblings of an old man. There are often artistic cutaways too, such as when he is in a projection room, or has things projected onto him. He narrates with constant diversions to literature or classic film that echo points in his life, a tactic which manages to keep the film feeling fresh throughout. Confessing to “always reading something”, the entire film is peppered with quotes by everyone from Chaucer to Wordsworth, often recited by Johnson himself. One of the first, and most beautiful, things the viewer learns about Johnson is that he loves literature. His newfound ecstasy at being alive and the clever way in which the film is made creates a truly inspiring and entertaining documentary. Grim as the outlook may be, Johnson proves himself to be a fascinating character, with an entirely unexpected attitude towards his situation. Focusing on the enigmatic Wilko Johnson, it follows the legendary musician as he faces up to the reality of his 2013 diagnosis of terminal cancer. While shrouded in a gloomy preface, this recent documentary from Julien Temple reveals itself to be a true, albeit melancholy treat.
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